Andrea Colombu – The Raw Code

April 8 – 23, 2026

Opere in mostra:
THE RAW CODE , printing on single-side matt coated PVC banner, 900×400 cm, 2026

photo:
Barbara Pau

graphic, printing and installation:
Grafiche Ghiani srl, Monastir (CA)

Andrea Colombu was born in Cagliari in 1973, where he still lives and works today.
He attended the "Foiso Fois" State Art School in Cagliari.
After graduating in the mid-1990s, he moved to Perugia, where he attended the "Pietro Vannucci" Academy of Fine Arts. His early works date from that decade, and their initial themes are strongly influenced by gestural painting and draw on artistic movements such as Art Informel.
While formal research led him to study the purest geometries, the influence of conceptual art led him to embrace the idea of symbolic content.
The final years of the decade saw him fully experimenting with materials: paper, stone, iron, coal, chalk, and ink.
After completing his academic studies, in 2000 he completely abandoned the use of matter to explore new techniques and compositional processes, such as photography and vector graphics, often supported by drawing.
Daily processes that take on a meditative and introspective character, in the observation of contemporary society.

instagram: andreacolombuarte

Exhibitions

Ottavio Del Freo – META(VIOLA)

March, 10 – 26, 2026

Opere in mostra:
Triptych on power, oil painting on canvas, 210×100 cm (70×100 cm each), 2023
Orange crowd, oil painting on canvas, 170×70 cm (50×70 cm, 70×50 cm, 50×70 cm), 2019
Vertical triptych,oil painting on canvas, 70×150 cm (70×50 cm each), 2021
Triptych cycle of life, oil painting on canvas, 210×50 cm (70×50 cm each), 2019
Self-portrait with red hat, oil painting on canvas, 100×70 cm, 2019

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Ottavio Del Freo (Massa 1993) He attended the three-year and two-year courses at the Academy of Fine Arts in Carrara. He lives and works in Montignoso.
Instagram: delfreoart

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Exhibitions

Masoto – FUGIT

Febbruary, 10-26, 2026

Works on display:

One illustration on 80g uncoated white paper, acrylic, 120x90 cm, 2026

Five illustrations on 80g uncoated paper, acrylic, 120x150 cm, 2026

The comic book FUGIT, starring Patry, was created in the gallery.The large-format panels allowed the audience to feel both spectator and protagonist, forcing them to read in stages and pauses, with a constantly changing and circular approach.The exhibition catalog is the comic book itself, published in 100 numbered copies.

Masoto is a visual designer and illustrator. He collaborates with independent publishers and magazines such as NIEVES, NERO EDIZIONI, MOUSSE MAGAZINE, SCOMOD, and DOMANI. His books are distributed internationally and are available at PRINTED MATTER (New York), YVON LAMBERT (Paris), and PRNT (Seoul). He actively participates in international art fairs—including the Taipei Art Book Fair, the Paris Ass Book Fair, Fumetto Luzern, and the Tokyo Art Book Fair—as a space for discussion and research within the independent publishing scene. Since 2015, he has been active in WWOOF (World Wide Opportunities on Organic Farms), an experience that has led him to work in various agricultural contexts in Asia—South Korea, Taiwan, Japan, and Malaysia—and Europe. These experiences inform his practice, which, through a lucid and satirical gaze, investigates the contradictions of contemporary existence and the possibilities of a future beyond a human context.

Instagram: masoto_o

Exhibitions

MORE THAN ONE AND LESS THEN THREE

April, 1 – May, 15 2025

Works on display:
1. One, oil painting on canvas, 90x70cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in 2024 in Montignoso
2. Two, oil painting on canvas, 20x20cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in 2024 in Montignoso
3. Three, oil painting on canvas, 60x50cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in March 2014 in Montignoso
4. Four, oil painting, ink, on canvas and paper, 50x50cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in October 2024 in
Montignoso
5. Five, painting Oil on canvas, 45x35cm, begun by Ottavio del Freo in 2024 at Pasquilio and completed by Lara Ilaria Braconi in 2025 in Genoa.
6. Sei, oil on canvas, 40x40cm, begun by Ottavio Del Freo in 2024 at Pasquilio and completed by Lara Ilaria Braconi in 2025 in Genoa.

7. Breaking the Rule, oil painting on canvas and paper, 50x40cm, begun by Ottavio del Freo in 2024 in Montignoso, continued by Lara Ilaria Braconi in
2024 in Milan and completed in 2025 by Emilia Acosta Borges in Genoa.
8. Eight, oil painting on canvas, 30x40cm, begun by Ottavio del Freo in 2024 at Pasquilio, completed by Lara Ilaria Braconi in 2025 in Genoa.
9. Nine, oil painting on canvas, 40x50cm, begun by Ottavio Del Freo in 2024 at Pasquilio, completed by Lara Ilaria Braconi in 2025 in Genoa.
10. Ten, oil painting on canvas, 60x73cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in October 2024 in Montignoso
11. Eleven, oil painting on canvas, 50x70cm, begun by Ottavio del Freo in 2024 in Montignoso, completed by Lara Ilaria Braconi in 2025 in Genoa
12. Twelve, oil painting on canvas, 38x48cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in October 2024 in Montignoso

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Lara Ilaria Braconi (Milan 1992)

She attended the Academies of Fine Arts in Carrara, Prague, Warsaw, Turin, Milan, and Stockholm. She lives and works between Genoa, Milan, and Cagliari

www.larailariabraconi.com

Ottavio Del Freo (Massa 1993) He attended the Academies of Fine Arts in Carrara. He lives and works in Montignoso.
Instagram: delfreoart

photos:
Enrique Mosella

Exhibitions

MANUELA MACCO – Resistenti alla linea

March 4 – 27, 2025

Opere in mostra:
1. UNTITLED 0.2, 2023
video, fixed camera, duration 6’42”, sound, black an white
action: Manuela Macco, Alessandro Manca, Samuele Pigliapochi
2. UNTITLED 0.2, 2024
video stills, series of 27 prints inkjet, 18×32 cm

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Manuela Macco (Biella 1970). Visual artist and indipendent researcher, she works with different media (photography, video, action, drawing, text, installation, relational practices) depending on the project. She lives in Turin.
www.manuelamacco.com
photography:
Enrique Mosella

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Exhibitions

NICOLA FARINA – from shape to shape

December, 14 2024 – January, 30 2025

Opere in mostra:
1. Libro d’ore-Esercizi spirituali 1, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
2. Libro d’ore-Esercizi spirituali 2, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
3. Libro d’ore-Esercizi spirituali 3, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
4. Libro d’ore-Esercizi spirituali 4, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
5. Libro d’ore-Esercizi spirituali 5, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
6. Libro d’ore-Esercizi spirituali 6, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
7. Libro d’ore-Esercizi spirituali 7, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
8. Libro d’ore-Esercizi spirituali 8, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
9. Libro d’ore-Esercizi spirituali 9, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
10. Libro d’ore-Esercizi spirituali 10, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
11. Libro d’ore-Esercizi spirituali 11, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
12. Libro d’ore-Esercizi spirituali 12, 2024,
been pollen, raw clay, natural pigments on craft paper, 45×30 cm
13. Fragilis Terrae 6, 2020,
raw clay, oil paint (cast from a painting canvas), 17x12x2 cm

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Nicola Farina (Monte San Vito, 1964) lives and works in Osimo (AN).
He has always carried out artistic activity and has been a tenured teacher in the Figurative Arts department at the Liceo Artistico Edgardo Mannucci in Ancona since 2001. He has carried out numerous projects in collaboration with public bodies and institutions. He has exhibited in various personal and collective exhibitions.

photagraphy:
Enrique Mosella

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Exhibitions

ANGELO SPATOLA – Double step

September, 27 – October, 31 2024

Works in show:
1. Untitled, 2024, iridescent film, enamel, mirror,
22 x 32 x 5 cm, 4 elements
2. Untitled, 2024, iridescent film, enamel, mirror, 22 x 32 x 5 cm, 4 elementi
3. Untitled, 2024, iridescent plexiglass, enamel, iridescent film, 44 x 34 x 3 cm
4. Duplicate Study, 2024, iridescent plexiglass, enemal, iridescent film, 8 x 5,4 x 2 cm

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Angelo Spatola (Turin, 1987) lives and works in Turin. He is a member of a Turin collective IDEM Studio, an artistic group born in 2015 from the collaboration with Ruggero Baragliu and Samuele Pigliapochi.
www.idemstudio.it/angelo
photograph by:
Enrique Mosella

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Exhibitions

ELIO TICCA – Le Temps Theorique

June 11,20 – September 03,12, 2024

Opere in mostra:
Louise, 2024. Oil on panel, 20 x 20 x 3,8 cm
Porte de Namur, 2024. Oil on panel, 20 x 20 x 3,8 cm
Yser, 2024. Oil on panel, 20 x 20 x 3,8 cm
De Brouckère, 2024. Oil on panel, 20 x 20 x 3,8 cm
Bourse, 2024. Oil on panel, 20 x 20 x 3,8 cm
Madou, 2024. Oil on panel, 20 x 20 x 3,8 cm
Le temps théorique, 2024. Oil on panel, 40 x 40 x 3,8 cm
Buon compleanno Clémence!, 2024. Oil on panel, 20 x 20 x 3,8 cm
L’imboscata, 2024. Oil on panel, 20 x 20 x 3,8 cm
Le cugine felici, 2024. Oil on panel, 20 x 20 x 3,8 cm
La goccia, 2024. Oil on panel, 20 x 20 x 3,8 cm
Post-sex blues, 2024. Oil on panel, 20 x 20 x 3,8 cm
Insonne, 2024. Oil on panel, 20 x 20 x 3,8 cm

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Elio Ticca (Italy 1988) is an artist who work with painting, sculpture and installation art. Through a process of mimicry and reconstruction, his pratique aims to study as the representation of pathos can be culturally and conceptually deconstructed, and reconstructed under new plastic and visual forms. His poetics looks at the collective unconscious to create new images, filtered by personal experiences. The artist adopt an often nostalgic contemporary vision, influenced by feeling of loss and loneliness, reconciling speculative realism and post-surrealism. His works mix art history and futuristic dystopias, gender roles and queer identities, exoticism and esotericism. Lives and works in Bruxelles.
www.elioticca.com
photo:
Enrique Mosella

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Exhibitions

RUGGERO BARAGLIU – Apparent vision

April 23, May 30 2024

Opere in mostra:
Rivelata, oil on canvas, 100x80cm, 2024
Senza titolo con dama, oil on canvas, 80×60 cm, 2024
10 Hertz, quello che pochi sentono, oil on canvas, 150×100 cm, 2024
Per quel cammino ascolto, oil on canvas, 100×80 cm, 2024
La visione apparente, oil on canvas, 100×80 cm, 2024
Trasfigurata, oil on canvas, 100×80 cm, 2024
Ipotesi di pittura, oil on poplar panel, 88x28x10 cm, 2024
Senza titolo, oil on poplar panel, 65x45x10 cm, 2024

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Ruggero Baragliu (Nuoro 1987) lives and works in Turin.
He is a member of the Turin collective IDEM Studio, an artistic group born in 2015 fron the collaboration with Samuele Pigliapochi and Angelo Spatola.
https://www.idemstudio.it/ruggero-baragliu/
Instagram: ruggerobaragliu
photos:
Enrique Mosella

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Exhibitions

CHIARA CAREDDA – Liturgy of the image

March, 26 – April,12 2024

Works on display:

1) Print on PVC 1.00 x 3.60 m.
2) VEGA K210 photosensitive photo paper 6.5 x 9.5 cm
3) Fine art digital prints on Canson Rag Photographique, variable dimensions

The work explores practices and gestures that make up the "ritual" of the image, from latent to true photographic image, investigating broadly what an image is and what photography is.
The analogue photographic process is made up of a series of steps: first visual, then manual, and is mostly made up of expectations, discoveries and revelations. The work, with a meta-photographic character, examines the images taken from darkroom manuals which often repetitively draw a liturgical gesture that leads to the appearance of the photographic image.
Photography is elusive and at the same time material and consistent, through its creation and manipulation our desperate need to possess and make part of the reality that surrounds us "forever" is evident. A race against time and the oblivion of memory. The practice of the camera obscura cancels time and condenses it into a here and now dedicated only to the revelation of the image.
Isolated from their editorial context of images explanatory of the photographic process and inserted in an exhibition context, the proposed images are elevated to works of art, trying to arouse that "magic" of images which consists in their pre-linguistic nature, which has the power to set ourselves in motion, thus creating those primary reactions that place the images within the context of the ritual and to which we direct a sort of religiosity.
The image, the photograph, becomes an object to be cherished, venerated, and as Barthes writes in The Clear Camera "In Latin «photography» could be said «imago lucis opera expressa»; that is: image revealed, "brought out", "set up", "squeezed" (like the juice of a lemon) by the action of light. And if Photography belonged to a world that was still in some way sensitive to myth, we would certainly exult in the richness of the symbol: the beloved body is immortalized by the mediation of a precious metal: silver (monument and luxury); and furthermore it should be added that this metal, like all the metals of Alchemy, is alive."

Chiara Caredda

Chiara Caredda (Carbonia, 1992) is a photographer and visual artist. She is enrolled in the degree course in Cultural Heritage and Entertainment at UniCA in Cagliari. In 2020-21 he participated as a scholarship holder in the advanced training program on the photographic image "Creating and Thinking about Photography", organized by OCCHIO in Cagliari. Since 2020 he has been on the board of Ottovolante Sulcis APS for which he takes care of educational experiences in the photographic field. His practice focuses on the mechanisms of memory and recollection through images. He uses different media, preferring the use of analogue collage, the reuse of already existing images and various off-camera and darkroom printing techniques.

photography:
Enrique Mosella