• Exhibitions

    MANUELA MACCO – Resistenti alla linea

    March 4 – 27, 2025

    Opere in mostra:

    1. UNTITLED 0.2, 2023
    video, fixed camera, duration 6’42”, sound, black an white
    action: Manuela Macco, Alessandro Manca, Samuele Pigliapochi
    2. UNTITLED 0.2, 2024
    video stills, series of 27 prints inkjet, 18×32 cm

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    Manuela Macco (Biella 1970). Visual artist and indipendent researcher, she works with different media  (photography, video, action, drawing, text, installation, relational practices) depending on the  project. She lives in  Turin.
    www.manuelamacco.com

    photography:
    Enrique Mosella

  • Exhibitions

    NICOLA FARINA – from shape to shape

     December, 14 2024 –  January, 30 2025

    Opere in mostra:

    1. Libro d’ore-Esercizi spirituali 1, 2024,
    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    2. Libro d’ore-Esercizi spirituali 2, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    3. Libro d’ore-Esercizi spirituali 3, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    4. Libro d’ore-Esercizi spirituali 4, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    5. Libro d’ore-Esercizi spirituali 5, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    6. Libro d’ore-Esercizi spirituali 6, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    7. Libro d’ore-Esercizi spirituali 7, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    8. Libro d’ore-Esercizi spirituali 8, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    9. Libro d’ore-Esercizi spirituali 9, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    10. Libro d’ore-Esercizi spirituali 10, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    11. Libro d’ore-Esercizi spirituali 11, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    12. Libro d’ore-Esercizi spirituali 12, 2024,

    been pollen, raw clay, natural pigments on craft paper, 45×30 cm

    13. Fragilis Terrae 6, 2020,

    raw clay, oil paint (cast from a painting canvas), 17x12x2 cm

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    Nicola Farina (Monte San Vito, 1964) lives and works in Osimo (AN).
    He has always carried out  artistic activity and has been a tenured teacher in the Figurative Arts department at the  Liceo Artistico Edgardo Mannucci in Ancona since 2001.  He has carried out numerous projects in collaboration with public bodies and institutions.  He has exhibited in various personal and collective exhibitions.

    photagraphy:
    Enrique Mosella

  • Exhibitions

    ANGELO SPATOLA – Double step

    September, 27 –  October, 31 2024

    Works in show:

    1. Untitled, 2024, iridescent film, enamel, mirror,
    22 x 32 x 5 cm, 4 elements
    2. Untitled, 2024, iridescent film, enamel, mirror, 22 x 32 x 5 cm, 4 elementi
    3.  Untitled, 2024, iridescent plexiglass, enamel, iridescent film, 44 x 34 x 3 cm
    4. Duplicate Study, 2024, iridescent plexiglass, enemal, iridescent film, 8 x 5,4 x 2 cm

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    Angelo Spatola (Turin, 1987) lives and works in Turin. He is a member of a Turin collective  IDEM Studio, an artistic group born in  2015 from the collaboration with  Ruggero Baragliu and Samuele Pigliapochi.

    www.idemstudio.it/angelo

    photograph by:
    Enrique Mosella

  • Exhibitions

    ELIO TICCA – Le Temps Theorique

    June 11,20  –  September 03,12,   2024

    Opere in mostra:

    Louise, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Porte de Namur, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Yser, 2024. Oil on panel, 20 x 20 x 3,8 cm
    De Brouckère, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Bourse, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Madou, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Le temps théorique, 2024. Oil on panel,  40 x 40 x 3,8 cm
    Buon compleanno Clémence!, 2024. Oil on panel, 20 x 20 x 3,8 cm
    L’imboscata, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Le cugine felici, 2024. Oil on panel, 20 x 20 x 3,8 cm
    La goccia, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Post-sex blues, 2024. Oil on panel, 20 x 20 x 3,8 cm
    Insonne, 2024. Oil on panel, 20 x 20 x 3,8 cm

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    Elio Ticca (Italy 1988) is an artist who work with painting,  sculpture and installation art. Through a process of mimicry and  reconstruction, his pratique aims to study as the representation of  pathos can be culturally  and conceptually deconstructed, and reconstructed under  new plastic and visual forms. His poetics looks at the collective unconscious to create new images, filtered by personal experiences. The artist adopt an often nostalgic  contemporary vision, influenced by feeling of loss and loneliness, reconciling speculative  realism and post-surrealism. His works mix art history and  futuristic dystopias,  gender roles and  queer identities, exoticism and  esotericism. Lives and works in Bruxelles.
    www.elioticca.com

    photo:
    Enrique Mosella

  • Exhibitions

    RUGGERO BARAGLIU – Apparent vision

    April 23, May 30  2024

    Opere in mostra:

    Rivelata, oil on canvas, 100x80cm, 2024
    Senza titolo con dama, oil on canvas, 80×60 cm, 2024
    10 Hertz, quello che pochi sentono, oil on canvas, 150×100 cm, 2024
    Per quel cammino ascolto, oil on canvas, 100×80 cm, 2024
    La visione apparente, oil on canvas, 100×80 cm, 2024
    Trasfigurata, oil on canvas, 100×80 cm, 2024
    Ipotesi di pittura, oil on poplar panel, 88x28x10 cm, 2024
    Senza titolo, oil on poplar panel, 65x45x10 cm, 2024

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    Ruggero Baragliu (Nuoro 1987) lives and works in  Turin.
    He is a member of the Turin collective IDEM Studio, an artistic group born in 2015 fron the collaboration with  Samuele Pigliapochi and Angelo Spatola.
    https://www.idemstudio.it/ruggero-baragliu/
    Instagram: ruggerobaragliu

    photos:
    Enrique Mosella

  • Exhibitions

    CHIARA CAREDDA – Liturgy of the image

    March, 26 – April,12  2024

    Works on display:
    
    1) Print on PVC 1.00 x 3.60 m.
    2) VEGA K210 photosensitive photo paper 6.5 x 9.5 cm
    3) Fine art digital prints on Canson Rag Photographique, variable dimensions
    
    The work explores practices and gestures that make up the "ritual" of the image, from latent to true photographic image, investigating broadly what an image is and what photography is.
    The analogue photographic process is made up of a series of steps: first visual, then manual, and is mostly made up of expectations, discoveries and revelations. The work, with a meta-photographic character, examines the images taken from darkroom manuals which often repetitively draw a liturgical gesture that leads to the appearance of the photographic image.
    Photography is elusive and at the same time material and consistent, through its creation and manipulation our desperate need to possess and make part of the reality that surrounds us "forever" is evident. A race against time and the oblivion of memory. The practice of the camera obscura cancels time and condenses it into a here and now dedicated only to the revelation of the image.
    Isolated from their editorial context of images explanatory of the photographic process and inserted in an exhibition context, the proposed images are elevated to works of art, trying to arouse that "magic" of images which consists in their pre-linguistic nature, which has the power to set ourselves in motion, thus creating those primary reactions that place the images within the context of the ritual and to which we direct a sort of religiosity.
    The image, the photograph, becomes an object to be cherished, venerated, and as Barthes writes in The Clear Camera "In Latin «photography» could be said «imago lucis opera expressa»; that is: image revealed, "brought out", "set up", "squeezed" (like the juice of a lemon) by the action of light. And if Photography belonged to a world that was still in some way sensitive to myth, we would certainly exult in the richness of the symbol: the beloved body is immortalized by the mediation of a precious metal: silver (monument and luxury); and furthermore it should be added that this metal, like all the metals of Alchemy, is alive."
    
    Chiara Caredda
    Chiara Caredda (Carbonia, 1992) is a photographer and visual artist. She is enrolled in the degree course in Cultural Heritage and Entertainment at UniCA in Cagliari. In 2020-21 he participated as a scholarship holder in the advanced training program on the photographic image "Creating and Thinking about Photography", organized by OCCHIO in Cagliari. Since 2020 he has been on the board of Ottovolante Sulcis APS for which he takes care of educational experiences in the photographic field. His practice focuses on the mechanisms of memory and recollection through images. He uses different media, preferring the use of analogue collage, the reuse of already existing images and various off-camera and darkroom printing techniques.
    
    photography:
    Enrique Mosella
     
  • Exhibitions

    SAMUELE PIGLIAPOCHI – An antithesis of form

    February 10 – March 15, 2024

    Works on display:
    
    An antithesis of form, installation of 24 elements, acrylic and water-based enamel on ethylene vinyl acetate, 60x40 cm each, 2024
    Superfluido 24, acrylic and water-based enamel on XPS, 14x15 cm, 2024
    Superfluido 25, acrylic and water-based enamel on XPS, 18.5x25 cm, 2024
    Superfluido 26, acrylic and water-based enamel on XPS, 13x19 cm, 2024
    Superfluido 27, acrylic and water-based enamel on XPS, 12.5x12 cm, 2024
     

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    Samule Pigliapochi (Jesi 1987) lives and works in Turin.
    He is a member of the Turin collective IDEM Studio, an artistic group born in 2015 from the collaboration with Ruggero Baragliu and Angelo Spatola.
    www.idemstudio.it/samuele-pigliapochi/
    
    photography:
    Enrique Mosella

     

  • Exhibitions

    IDEM Studio – MIX WELL

    December,15 2023/ February,2  2024

    Works in display:

    1. Alto mare, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 20×15,8 cm, 2023
    2. Colazione dionisiaca, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 25,5×18,5 cm, 2023
    3. Composizione aperta, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 37,6×30,5 cm, 2023
    4. Dove giace El Dorado, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 17×14,5 cm, 2023
    5. Eddie the head, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 31×21 cm, 2023
    6. Geometria sabauda, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 38,5×30 cm, 2023
    7. Il dubbio di Casanova, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 38,5×31 cm, 2023
    8. Il furto del sonnambulo, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 41×31 cm, 2023
    9. L’illusione dell’autodidatta, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 31×27,2 cm, 2023
    10. Suggestione irlandese, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 31×22,8 cm, 2023
    11. Trota su porta gioie, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 20×15 cm, 2023
    12. Un impero nel Sahara, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 41×30 cm, 2023
    13. Macarena, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 38×31,5 cm, 2023
    14. La ultima, pictorial inlay, water-based enamel, oil and acrylic painting on canvas an paper, 20×30 cm, 2023

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    IDEM Studio was borne in 2015 from the sharing of the research of the three artists Ruggero Baragliu, Samuele Pigliapochi and Angelo Spatola.
    IDEM Studio is located in via Vincenzo Lancia 4 in  Turin, and is composed of an 80 m2  laboratory, where the three artists  work, and a 40 m2 exhibition space which  periodically presents to the public the result of the synergistic designs of them.
    Instagram: idem.studio

    photography:
    Enrique Mosella

  • Exhibitions

    Angelo Liberati – 2013 PARAMNESIA

    November, 15/17  2023

    Works on display:

    2013 (Angelo Liberati)
    oil, collage, mixed media on canvas, cm 110×150
    2013

    Paramnesie  (Gino Melchiorre)
    128 passagges of A. Liberati’s work
    video, duration 10’
    2013

    link video Paramnesia

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    Angelo Liberati (Frascati, 1946), painter lives and works in  Cagliari.
    www.angeloliberati.it
    Gino Melchiorre is a sociologist, write, journalist, documentary maker. By someone else’s decition, in 1941, he entered the world. He traveled for work: US, Canada, North Africa, Europe, Asia. By his choice he left in 2014 approximately. Traces of him can be found in Web-Plates & awards: Rome, Milan, Venice, Bologna, Sorrento, Trento, Bressanone, Cagliari (Chia-Laguna).
    Media libraries: Rizzoli-Vivideo (It); Rai (it;); Tufts Univ, Medford-Boston. Mass. (US); Cagliari Univ. (It); Padova Univ. (It); Rome-Tor.Vergata Univ. (it). Xdams Archives: Festival de Printemps; Lyon; (Fr); TAT-Theater-am-turm, Frankfurt am Main (De);  Sistina Theatre, Rome. (It). Archivies Edit.: Lucarini, Lerici, Cuec.
    Sound archivies: Fonit-Studio; Cetra; Rare-Barclay. Emeroteche: la Repubblica, l’Unità, Rinascita, il Manifesto, l’Unione Sarda, Astrolabio (Senato.it).

    photography:
    Enrique Mosella

  • Exhibitions

    Nicola Cioglia – DEVILS AND PIGS

    Sepember 27 – October 27,  2023

    Works in show:
    Segovia 1, oil on canvas, cm 35×27 – 2023
    Segovia 2, oil on canvas, cm 35×27 – 2023 a
    Segovia 3, oil on canvas, cm 35×27 – 2023
    Segovia 4, oil on canvas, cm 35×27 – 2023
    Diablo Tondos 1, oil on canvas, D cm 60 – 2023
    Diablo Tondos 2, oil on canvas, D cm 60 – 2023
    Diablo Tondos 3, oil on canvas, D cm 60 – 2023
    Diablo Tondos 4, oil on canvas, D cm 60 – 2023
    Diablo Tondos 5, oil on canvas, D cm 60 – 2023

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    Nicola Cioglia (Cagliari 1998) lives and works in  Cagliari.
    https://instagram.com/cioglianicola

    photos:
    Enrique Mosella