Opere in mostra:
Triptych on power, oil painting on canvas, 210×100 cm (70×100 cm each), 2023

Orange crowd, oil painting on canvas, 170×70 cm (50×70 cm, 70×50 cm, 50×70 cm), 2019

Vertical triptych,oil painting on canvas, 70×150 cm (70×50 cm each), 2021

Triptych cycle of life, oil painting on canvas, 210×50 cm (70×50 cm each), 2019

Self-portrait with red hat, oil painting on canvas, 100×70 cm, 2019

Works on display:

One illustration on 80g uncoated white paper, acrylic, 120x90 cm, 2026

Five illustrations on 80g uncoated paper, acrylic, 120x150 cm, 2026

The comic book FUGIT, starring Patry, was created in the gallery.The large-format panels allowed the audience to feel both spectator and protagonist, forcing them to read in stages and pauses, with a constantly changing and circular approach.The exhibition catalog is the comic book itself, published in 100 numbered copies.

Works on display:
1. One, oil painting on canvas, 90x70cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in 2024 in Montignoso
2. Two, oil painting on canvas, 20x20cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in 2024 in Montignoso
3. Three, oil painting on canvas, 60x50cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in March 2014 in Montignoso
4. Four, oil painting, ink, on canvas and paper, 50x50cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in October 2024 in
Montignoso
5. Five, painting Oil on canvas, 45x35cm, begun by Ottavio del Freo in 2024 at Pasquilio and completed by Lara Ilaria Braconi in 2025 in Genoa.
6. Sei, oil on canvas, 40x40cm, begun by Ottavio Del Freo in 2024 at Pasquilio and completed by Lara Ilaria Braconi in 2025 in Genoa.

7. Breaking the Rule, oil painting on canvas and paper, 50x40cm, begun by Ottavio del Freo in 2024 in Montignoso, continued by Lara Ilaria Braconi in
2024 in Milan and completed in 2025 by Emilia Acosta Borges in Genoa.
8. Eight, oil painting on canvas, 30x40cm, begun by Ottavio del Freo in 2024 at Pasquilio, completed by Lara Ilaria Braconi in 2025 in Genoa.
9. Nine, oil painting on canvas, 40x50cm, begun by Ottavio Del Freo in 2024 at Pasquilio, completed by Lara Ilaria Braconi in 2025 in Genoa.
10. Ten, oil painting on canvas, 60x73cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in October 2024 in Montignoso
11. Eleven, oil painting on canvas, 50x70cm, begun by Ottavio del Freo in 2024 in Montignoso, completed by Lara Ilaria Braconi in 2025 in Genoa
12. Twelve, oil painting on canvas, 38x48cm, begun by Lara Ilaria Braconi in 2024 in Milan, completed by Ottavio del Freo in October 2024 in Montignoso

Opere in mostra:

Opere in mostra:

Works in show:

1. Untitled, 2024, iridescent film, enamel, mirror,
22 x 32 x 5 cm, 4 elements
2. Untitled, 2024, iridescent film, enamel, mirror, 22 x 32 x 5 cm, 4 elementi
3.  Untitled, 2024, iridescent plexiglass, enamel, iridescent film, 44 x 34 x 3 cm
4. Duplicate Study, 2024, iridescent plexiglass, enemal, iridescent film, 8 x 5,4 x 2 cm

Opere in mostra:

Louise, 2024. Oil on panel, 20 x 20 x 3,8 cm
Porte de Namur, 2024. Oil on panel, 20 x 20 x 3,8 cm
Yser, 2024. Oil on panel, 20 x 20 x 3,8 cm
De Brouckère, 2024. Oil on panel, 20 x 20 x 3,8 cm
Bourse, 2024. Oil on panel, 20 x 20 x 3,8 cm
Madou, 2024. Oil on panel, 20 x 20 x 3,8 cm
Le temps théorique, 2024. Oil on panel,  40 x 40 x 3,8 cm
Buon compleanno Clémence!, 2024. Oil on panel, 20 x 20 x 3,8 cm
L’imboscata, 2024. Oil on panel, 20 x 20 x 3,8 cm
Le cugine felici, 2024. Oil on panel, 20 x 20 x 3,8 cm
La goccia, 2024. Oil on panel, 20 x 20 x 3,8 cm
Post-sex blues, 2024. Oil on panel, 20 x 20 x 3,8 cm
Insonne, 2024. Oil on panel, 20 x 20 x 3,8 cm

Opere in mostra:

Rivelata, oil on canvas, 100x80cm, 2024
Senza titolo con dama, oil on canvas, 80×60 cm, 2024
10 Hertz, quello che pochi sentono, oil on canvas, 150×100 cm, 2024
Per quel cammino ascolto, oil on canvas, 100×80 cm, 2024
La visione apparente, oil on canvas, 100×80 cm, 2024
Trasfigurata, oil on canvas, 100×80 cm, 2024
Ipotesi di pittura, oil on poplar panel, 88x28x10 cm, 2024
Senza titolo, oil on poplar panel, 65x45x10 cm, 2024

Works on display:

1) Print on PVC 1.00 x 3.60 m.
2) VEGA K210 photosensitive photo paper 6.5 x 9.5 cm
3) Fine art digital prints on Canson Rag Photographique, variable dimensions

The work explores practices and gestures that make up the "ritual" of the image, from latent to true photographic image, investigating broadly what an image is and what photography is.
The analogue photographic process is made up of a series of steps: first visual, then manual, and is mostly made up of expectations, discoveries and revelations. The work, with a meta-photographic character, examines the images taken from darkroom manuals which often repetitively draw a liturgical gesture that leads to the appearance of the photographic image.
Photography is elusive and at the same time material and consistent, through its creation and manipulation our desperate need to possess and make part of the reality that surrounds us "forever" is evident. A race against time and the oblivion of memory. The practice of the camera obscura cancels time and condenses it into a here and now dedicated only to the revelation of the image.
Isolated from their editorial context of images explanatory of the photographic process and inserted in an exhibition context, the proposed images are elevated to works of art, trying to arouse that "magic" of images which consists in their pre-linguistic nature, which has the power to set ourselves in motion, thus creating those primary reactions that place the images within the context of the ritual and to which we direct a sort of religiosity.
The image, the photograph, becomes an object to be cherished, venerated, and as Barthes writes in The Clear Camera "In Latin «photography» could be said «imago lucis opera expressa»; that is: image revealed, "brought out", "set up", "squeezed" (like the juice of a lemon) by the action of light. And if Photography belonged to a world that was still in some way sensitive to myth, we would certainly exult in the richness of the symbol: the beloved body is immortalized by the mediation of a precious metal: silver (monument and luxury); and furthermore it should be added that this metal, like all the metals of Alchemy, is alive."

Chiara Caredda