• Exhibitions


    June 10 - 19, 2020

    Perbac giugno 2020 loc A3

    Ruggero Baragliu                                                                                                                   download catalog
    - n. 8 pieces, oil and pastel on paper, cm 21x26, 2020
    - beyond, inside, mdf acrylic oil and acrylic resin, cm 21x30, 2019
    Andrea Colombu
    - form space time, n. 4 pieces, paper iron and plastic, D cm 20, 2020
    Efrem (Igino) Panzino
    - n. 6 projects on cardboard, cm 47x32, 2020
    - n. 5 designs for sculptures on cardboard, cm 24x17, 2006


    photo Andrea Colombu

  • Exhibitions

    IDEM Studio – Pastiche

    march 6 - may 22, 2020



    Ruggero Baragliu - pastiche # - n. 35 pieces; mdf, acrylic color, two-component resin, dimensions: max 22x12x7 cm, min 4x2x2 cm, 2020.
    Samuele Pigliapochi - pastiche% - n. 35 pieces; chalk, acrylic colors, fluorescent vinyl colors, beeswax, dimensions: max 6x3.4x6 cm, min 3.4x3.4x3.4 cm, 2020.
    Angelo Spatola - pastiche * - n. 35 pieces; marble, sectioned canvas, industrial enamel, iridescent film, plaster, acrylic paint, dimensions: max 8,5x8,5x1,5 cm, min 4x8x2 cm, 2020.

    The last project by Idem Studio, Pastiche, stems from and within a party game, as well as a play of exchanges and contaminations. It stands as anironical and mocking homage to social mores, as well as to the dominant market laws of the art world.

    The artworks of the Turin-based trio offer themselves to the eyes, with an overtly blatant attitude: they are like precious cameos, resembling eatable candies, alluring and seductive, and lonely like solitaire diamonds.

    In search of complicity and submissive consensus, gaudy yet ambiguous, such artworks hunt for a new home and master. They eventually offer the one and only commodity being produced and put up for sale, yet that no nobody can ever really buy: imagination.

    photos by Marco Fronteddu

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    IDEM Studio was born in 2015 from the sharing of research by the three artists Ruggero Baragliu, Samuele Pigliapochi and Angelo Spatola.

    IDEM Studio is located in via Vincenzo Lancia 4 in Turin; the three artists periodically presents to the public the result of the synergic designs in part of laboratory, 40 sqm adibited as exhibition space .

  • Exhibitions

    Rachele Sotgiu – Fake surface

    january 22 - february 7, 2020


    Tecnical sheet:

    19 canvas, oil on linen: Fake surface 1, oil on canvas, 24 x 30 cm, 2017; Fake surface 22, oil on linen, 24 x 30 cm, 2017; Fake surface 3, oil on linen, 24 x 30 cm, 2017; Fake surface 5, oil on linen, 24 x 30 cm, 2017; Fake surface 14, oil on canvas, 24 x 30 cm, 2019; Fake surface 15, oil on canvas, 24 x 30 cm, 2019; Fake surface 16, oil on canvas, 24 x 30 cm, 2019; Fake surface 6, oil on linen, 30 x 40 cm, 2019; Fake surface 32, oil on linen, 30 x 40 cm, 2017; Fake surface 11, oil on linen, 30 x 40 cm, 2019; Fake surface 12, oil on linen, 30 x 40 cm, 2018; Fake surface 54, oil on canvas, 30 x 40 cm, 2019; Fake surface 55, oil on linen, 40 x 50 cm, 2019; Fake surface 56, oil on linen, 30 x 40 cm, 2019; Fake surface 13, oil on canvas, 24 x 30 cm, 2018; Fake surface 20, oil on canvas, 24 x 30 cm, 2019; Fake surface 66, oil on linen, 30 x 40 cm, 2019; Fake surface 77, oil on linen, 24 x 30, 2019; Fake surface 23, oil on linen, 24 x 30, 2019

    2 terracotta sculptures: Fake surface 17, terracotta sculpture, variable dimensions, 2019; Fake surface 18, terracotta sculpture, variable dimensions, 2019

    download catalog


    Rachele Sotgiu (Nuoro 1984) vive e lavora a Nuoro








    photos by Marco Fronteddu

  • Exhibitions

    A gift from the artists

    december 27-30, 2019


    Tecnical sheet:

    Marco Cianciotta senza titolo, gold leaf gauze pigments on canvas , cm50x35, 2019

    Ruggero Baragliu senza titolo, oil and acrylic on cotton canvas, cm100x120, 2017

    Rachele Sotgiu everythink flowed in the the water, quickly, oil on canvas, cm30x24, 2017

    Elio Ticca frammenti #2 (Redentore), oil on canvas, cm70x50, 2017

    Carlo Spiga and Carolina Casula Dissoneddas by Carlo Spiga, launeddas, 27.12.2019 at18,30

    Marco Pittau Insolitaria by Marco Pittau, 2 trumpets, percussion, arco a bocca 28.12.2019 at 18.00



    photo by Marco Fronteddu


    A gift from the artist is the annual appointment that begins immediately after the Christmas holidays and ends on the last day of the year. This year, from the 27th to the 30th of December, seven artists will offer you a moment of their poetic research.

    Ruggero Baragliu, Marco Cianciotta, Rachele Sotgiu, Elio Ticca, with their pictures, Carlo Spiga and Carolina Casula on December 27th – from 6.30pm – with launeddas and voice will play Dissoneddas by Carlo Spiga, and Marco Pittau on December 28th – from 6.00pm – with trumpet play his music track Insolitaria.

    Dedicated to my mother


    download catalog

    https://makika.bandcamp.com/track/dissoneddas www.candidecitoalice.com http://cargocollective.com/RacheleSotgiu Instagram/ruggerobaragliu


  • Exhibitions

    Elio Ticca – BLOODY CHEQUE

    december 4 -20, 2019


    Tecnical sheet

    1. Kinderszen - childhood game # 1 (Marie Antoinette). Oil on canvas, 80 x 60 x 3.8 cm
    2. Kinderszen - child game # 2 (Ludwig II). Oil on canvas, 80 x 60 x 3.8 cm
    3. Kinderszen - child game # 3 (Nicholas II). Oil on canvas, 80 x 60 x 3.8 cm
    4. Kinderszen - child game # 4 (Sissi). Oil on canvas, 80 x 60 x 3.8 cm
    5. Kinderszen - child game # 5 (Henry IV). Oil on canvas, 80 x 60 x 3.8 cm
    Installations and sculptures
    1. Santiago. Shell, stucco, oil on canvas. 9.5 x 11 x 1.8 cm
    2. The sword in the rock. Steel sword, Shower set, 95 x 20 x 5 cm
    3. APelle. Steel wire, polyurethane foam, cotton, arrows. Variable dimensions


    photo by Marco Fronteddu

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    Elio Ticca (Nuoro, 1988) lives and works in Brussels.

    Graduated at IUAV University of Venice and at University of Leeds, in the UK, the artist explores the relationships between historical and contemporary artistic languages. By referencing preliminary sources, his pieces are meant to be unpredictable, sometimes ironical visual dialogues. His work also reinterprets conceptual milestones such as authorship and autography, through a meditated process of camouflage and invention. The red thread of his work is the study on the representation of emotional states, mixing art-historical sources with contemporary artistic languages.

    www.candidecitoalice.com    www.arcadia-now.com

  • Exhibitions

    Salvatore Esposito – inside the painting

    october 9/25, 2019


    Works on show (crayons on paper): 
    a capo marrargiu, cm 82x61, 1966
    a capo marrargiu, cm 87x66, 2001
    a capo marrargiu con de Filippi, cm 94x64, 1971
    a capo marrargiu con Trotta, cm 82x72, 1973
    a capo marrargiu con Staccioli, cm 98x68, 1973
    verso capo marrargiu, cm 94x64, 1975
    verso capo marrargiu, cm 100x70, 1973
    nel sole subacqueo, cm 94x69, 2010
    momento subacqueo, graphite on paper, cm 94x65, 1964
    alle vasche con Marina, cm 99x68, 1988
    subacquea, cm 90x70, 1966
    subacquea, cm 91x70, 1969
    subacquea, cm 100x71, 1969
    subacquea, cm 90x65, 1984
    subacquea, cm 100x70, 1994
    subacquea, cm 80x60, 1999


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    Salvatore Esposito (Gallipoli 1937) lives and works in  Milan and Alghero.


  • Exhibitions

    Linda Schrank – Swoop

    june 14- july 5, 2019


    Tecnical sheet: Gallegiante series # 1, collage, cm25,4x25,4, 2018 - Gallegiante series # 2, collage, cm25,4x25,4, 2018 - Gallegiante series # 3, collage, cm25,4x25,4, 2018 - Gallegiante series # 5, collage, cm23x18, 2019 - Swoop, oil and acrylic on paper, cm51x51, 2018 - Swerve, oil and acrylic on paper, cm51x51, 2019 - Swing, oil and shellac ink on paper, cm51x51, 2018 - Skew, oil and acrylic on paper, cm51x51, 2019 - Tilt, oil and acrylic on linen, cm94x94, 2019 - Time is a Circle, oil and acrylic on linen, cm94x94, 2019 - Topple, oil and acrylic on linen, cm94x94, 2019 - Thinking of T , oil and acrylic on linen, cm94x94,2019

    "Looking at Linda Schrank’s paintings is a complex visual experience. In this exhibition, she presents both paintings and collages where she works with oil, acrylic, inks and other drawing materials to create lightness, a floating world, breathing made visible. Material and gestural, emotional and analytical, her painting emerges from diverse, sometimes opposing,origins. What Schrank is searching for is to engage and expand the viewer’s perception over time. On first encounter, her paintings are a conversation among materials, but after spending time with them, they express the balance and tension between coming together and falling apart."

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    Linda Schrank has exhibited nationally and internationally since 1978.
    Her work is included in major private, corporate and public collections, among them the Brooklyn Museum; Museum of Fine Arts, Boston; Boston Public Library; Houghton Library, Harvard University; Library of Congress; Rose Art Museum,Brandeis University; Princeton University; Minneapolis Institute of Arts; Museum of Ceramics,Torgiano, Italy; Museo Regionale della Ceramica, Deruta, Italy; Pratt Institute; Rochester Institute of Technology; American University, Washington, DC ; The International Museum of the Woman in Art, Abruzzo, Italy; The Morgan Library and Museum; The New York Public Library; University of Houston; University of Iowa; Smith College Museum of Art.


    Photos by Barbara Pau

  • Exhibitions

    Pietruccia Bassu – Only decorative use

    may 8-24, 2019

    immagine 1

    Tecnical sheet
    Installation room size: 3 vertical sheets metal cm210x75, grain for sowing, broken dishes, 312 tulle party favors with confetti, video.
    The artistic production of Pietruccia Bassu renews the sense of belonging to a tradition, to a story, developing projects on the sense of continuity and re-appropriation of memory.
    The basic idea is to find in the practices and languages ​​of the contemporary the possibility of handing down gestures, techniques, details that are to the tradition of the Sardinia and one of his family in particular.
    The artist from Sassari belongs to a current that sees in contemporary art the possibility of preserving anthropological data, customs, memories of past generations, exploiting art as an archive, deposit of traces. She use different expressive tendencies, from video to installation, making use of objects with a high symbolic content which in their works take on new aesthetic and conceptual modalities. She has made several personal and collective exhibitions.


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    Pietruccia Bassu was born in Sassari (1969) and trained at the Academy of Fine Arts of her city.

  • Exhibitions

    GIANNI CASAGRANDE – Things have to change

    april 5 - 19, 2019


    Technical sheet: n. 21 acrylic on canvans: 1- I have not seen you since I was born,cm30x30, 2018; 2- Path, cm20x20, 2013; 3- The sick pilot, cm24x24, 2019; 4- The gift was the book, cm40x30, 2019; 5- Blackboard, cm80x80, 2012; 6- Common cause, cm50x40, 2019; 7- Stronger than you, cm30x30, 2015; 8- The others, cm20x20, 2014; 9- Common cause, cm29,5x20, 2019; 10- A message to all of you, cm60x60, 2018; 1 - A better mother, cm40x40, 2018; 12- They answered you, cm30x30, 2018; 13- Relativity, cm40x50, 2017; 14- Handbook, cm30x40, 2016; 15- Feeding Charlie, cm30x30, 2017; 16- Things have to change, cm30x30, 2018; 17- When they start to sing, dittico, cm16x29 ciascuno, 2018; 18- Lifesaver, cm30x15, 2018; 19- Let me see, cm20x30, 2019; 20- All green lights, dittico, cm18x24 ciascuno, 2011; 21- The deserters, cm20x20, 2014.

    scarica catalogo


    Gianni Casagrande was born in Nuoro in 1963, where he lives and works.
    Self-taught, he has been drawing since he was two years old.
    In 1999, the design of a film based on his own script became the occasion for his first exhibition presented in Nuoro in 2004 with the title "Follow the war on this map of the world in Mercator projection".
    Since then he has never stopped drawing, devoting himself exclusively to painting.