Art Gallery – Via Mameli 187, Cagliari
On November 8th and 9th 2018 the collective Konkezuma Cagliari Drawing Club, took office in the E_EMME Space to give life to two evenings of free and conscious abuse of creativity, fun, friendship, sharing, exchange of opinions and work. We would like to stress that even alcohol consumption has been conscious, shared and duly paid by the participants. The image of the cashier speaks for itself.
On the occasion of the personal exhibition The Mani by Marco Useli, Kerlox Dynamic 3 played live in the gallery: Carlo Mascolo, trombone – Domenico Saccente, accordion – Felice Furioso, drums.
Biographies
Carlo Mascolo is a composer and arranger of acoustic, electric and computer music. He studied with Maurizio Patarino, Tomaso Lama, Saverio Vizziello, Michele Lomuto, Gianni Lenoci, Stefano Battaglia, Francesco Scagliola, Christian Burchard. He was a professor of pre-academic courses at the Music Academy of Monopoli. He has been full time teacher of jazz and brass instruments in the Jerusalem Music Academy. He was a full time lecturer in brass intruments, ensemble music, theory and harmony, in the Al-Kamandjati Music Center in Ramallah and in the Al-Amari refugee camps, Qalandia in the West Bank.
Creator and host of the project “Kerlox Dynamic Project” (1999) and of the Improv Orchestra “Bouh Magic Orchestra” (2010). He has played in clubs and festivals in Italy, Portugal, Spain, France, Belgium, Holland, Germany, Denmark, Czech Republic, Austria, Turkey, Palestine, Morocco, U.S., Colombia and Argentina.
He has collaborated with Embryo, Christian Burchard, Michele Lomuto, Gianni Lenoci, Steve Potts, Antonello Salis, Eugenio Colombo, Chop Chop Band, Marcello Magliocchi, Mik Quantius, Lothar Stahl, Jens Pollheide, Frankenstein Ballet, Lori Goldston, Nicola Guazzaloca, Monsieur Periné , Suricato, Raul Platz, Blasie Siwula, Pacho Davila, Moktar Ghania, Allen Blairman, Yuri Parvenov, Abdul Moimeme, Yedo Gibson, Vasco Trilla, Jean-Marc Foussat, Luiz Rocha, Nicolas Chientaroli, Dirar Kalash, Carlos Zingaro,, Ape5, Vittorino Curci, Ada Rave, Renato Ferreira, George Hadow, Guy- Frank Pellerin, White Noise Generator, Paulo Chagas, Joao Pedro Viegas, Okay Temiz, Hakan Ali Tocker, Albert Cireira, Maria Do Mar. Maria Radich, Joao Madeira and Rogier Smal , James Harrar, Marshall Allen, Charles Gayle and many others.
Homepage: https://www.muzicplus.it/it/chi-siamo/carlo-mascolo.html
Domenico Saccente. At the age of eight, he began his accordion studies, which he continued over the years with Francesco Palazzo at the “Niccolò Piccinni” Music Academy in Bari. He is currently enrolled at the Music Academy “E.R. Duni” of Matera, where he attends a jazz piano course. He has participated in workshops with leading national and international artists such as Christian Burchard, Lothar Stahl, Jens Pollheide, Mik Quantius, Carlo Mascolo, Marcello Magliocchi, Gianni Lenoci, Marshall Allen, Lori Goldston, Morjane Mourad, Greg Burk, Joao Pedro Viegas , Yedo Gibson, Vasco Trilla, Carlos Zingaro, Paulo Chagas, Nicola Guazzaloca, Stefano Luigi Mangia, Embryo.
Since 2005, he has been part of the Kerlox Dynamic Project, which varies from world music to radical improvisation using the languages of the contemporary soundscape.
Homepage:https://www.muzicplus.it/it/chi-siamo/domenico-saccente.html
Felice Furioso. He started playing the drums at the age of 10, a self-taught drummer. As a boy, he attended the violin music course of the secondary school. In 2009, he founded “Banda Agorà” with his friends and played at the Rock Targato Italia musical event. In 2012, with the “Banda Agora”, he played at the Italia Wave Festival at the Circolo Degli Artisti in Rome. In 2014, he actively participated in the composition workshops in real time and creative music with trombonist Carlo Mascolo, Mik Quantius, Yedo Gibson, Carlos Zingaro, Paulo Chagas and the German group, Embryo.
For a few years, he has collaborated with the Kerlox Dynamic Project, which varies from world music to radical improvisation, using the languages of the contemporary soundscape. To date, with this project he has participated in three international festivals of improvised music, such as “Free Flow Festival 2015” in Altamura, “Clockstop Fest 2015” in Noci, “MIA 2015 – Encontro de Música Improvisada de Atouguia da Baleia” in Portugal . In 2016 he took part in the “Waiting for the Free Flow Festival” exhibition. He was one of the organizers of the fifth edition of the Free Flow Fest, which saw the involvement of national and international artists of the avant-garde scene.
Homepage: https://www.muzicplus.it/it/chi-siamo/felice-furioso.html
On the occasion of GAP by LUCIO POZZI, Adriano Orrù played Simple Cosmogony/Cosmogonia Semplice (double bass, rattles, brush, percussion rod).
Orrù’s intervention was introduced by an improvised prelude originating from the suggestions of Pozzi’s works. Following this, he began his Cosmogonia Semplice, composed in 2012.
We report how the musician commented to his participation to GAP: «I thought of a sort of duality between the vertical and the horizontal (two elements that, in music, bear importance and meaning). Without trying to force some implausible similarity, I put these two dimensions in relation through the sound, the performative action and the “important” presence of my instrument, the double bass. A geography/geometry of sound and space.»
Biography: Adriano Orrù is a double bass player who plays jazz, radical improvisation, chamber music and multimedia projects. He has collaborated in various projects with Paolo Fresu, Giancarlo Schiaffini, Tony Oxley, Lenka Zupkova, AN MOKU, Gianni Mimmo, Marco Colonna, Samuel Hallqvist, Ettore Fioravanti, Roberto Cipelli, Marco Tamburini, Tino Tracanna, Andy Gravish, Tim Hodkinson, Paulo Chagas , Joao Pedro Viegas, Guy-Frank Pellerin, Maria Do Mar, Luiz Rocha, Samuel Hällkvist, François Choiselat, Mauro Sambo, Marcello Magliocchi, Victor Nubla, White Noise Generator, Simon Balestrazzi, Silvia Corda, Takatsuna Mukai, Henning Frimann, Guro Skumsnes Moe, Håvard Skaset, Paul Angeli, Paula Gimeno, Yali Herbet. He recorded for Splasc (h), Digitalis Purpurea, Comar23, TiConZero, Big Round Records, Pork Bristle, Magick With Tears, LaBèl, Pan and Rosas, Endtitles, Creative Sources, Amirani Records. Reviews, articles, interviews have appeared on Rai Radio3, Doublebassist, All About Jazz, Il Manifesto, Blow Up, Jazz.pt and others.
